In the Public Interest: Competition Policy and the Monopolies and Mergers Commission

Front Cover
Manchester University Press, 1999 - Business & Economics - 382 pages
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies.Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)
 

Contents

The postwar development of competition policy
22
structure and powers
50
The members of the MMC
77
Procedures and the culture of the Commission
114
The Fair Trading Act and the British model of competition
155
The control of mergers
194
a new role for
243
The tripartite system the European challenge and the
282
organisational survival and a new settlement
331
the public interest test
358
Index
369
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